reviews + interviews

Ink 19 reviews Gauche et Droite! 2013

It's punk, and a there's a heck of a collection of it here: two CDs with 40 cuts and a big fat lyrics book. This band has been plugging away for the past decade in Mesa, Arizona. Their sound is pleasantly fuzzy and energetic, their lyrics clever and accessible. And by "accessible," I mean you can hear what Billy Goodman is singing without the cheat book.

Once you're though the little instrumental ear opener, there's a really cool song: "Sounds Good to Me '83." The guys sing "It was punk rock and now it's jock rock." True enough, punk has moved mainstream to the point where the boneheads on the varsity team listen to it and the little misfit kids have been driven off to Goth or dubstep or whatever we hide out behind today. "Skateboarding Hurts" is another nice bouncy mash-fest. It alludes to these Goths and how, occasionally, they are willing to make out with the punks. (Just be careful of the pointy fashion accessories.)

Both discs are riddled with gems like these, and the CDs are printed to let the silver layer glow through the eyeballs of the band members' portraits. It looks like their eyes are following you -- how creepy is that? Its punk creepy, that's how creepy. -- Carl F Gauze

Gauche et Droite gets some love from Andy Hermann @, featured in over 60 cities nationwide! 2011

Latest release: “Gauche et Droite”

Who: Brothers Billy (guitar/vocals) and Dale (drums) Goodman have been kicking around the Tempe, Ariz., rock scene for over a decade, with various bassists in tow. For the first five of those years, they were almost insanely prolific, releasing four albums, an EP and various singles and compilation tracks. Then…nothing, until this 40-track, double-disc opus.

What they’re saying: “You know those amazing rock bands you grew up with? Or wish you had? You know. The Pixies. Built to Spill. The Replacements. The Necronauts have swallowed them. Whole.” – Mike McQuillan, Yab Yum Music

What we’re saying: Listening to “Gauche et Droite” is like discovering a really great college radio station circa 1994—the slacker-rock hits just keep on coming! Just when you think Billy Goodman’s songwriting can’t get any sharper, it does, culminating in the sunny yet sardonic “Leslie’s Deal,” a Paul Westerberg homage masquerading as a mash note to a female rock promoter. With 40 tracks (including some demos and alternate takes, but still) and nary a misfire among them, the whole thing is jaw-droppingly good. Like, “Crooked Rain,” “Too High to Die,” “Perfect From Now On” good. Where have these guys been hiding for the past five years? – Andy Hermann

Listen: “The Necronauts - Ashes Over Idaho”

Gauche et Droite receives 4 star review in Pennsylvania's Daily News -- courtesy of Jeffrey Sisk 2011

“Gauche et Droite” — It seems pretty clear to me that half-brothers Billy and Dale Goodman spent a lot of time listening to bands like Built to Spill, Dinosaur Jr., Pavement, Sonic Youth, the Pixies and Fugazi while growing up in the suburban confines of Mesa, Ariz. Since founding the Necronauts a decade ago, the Goodmans have paid homage to those that influenced them through their own energetic brand of indie rock.After a six-year wait, the Necronauts return in a big, big way with “Gauche et Droite,” a sprawling two-disc, 40-track collection of tunes that represents the best work of their career. Rock solid — and occasionally spectacular — from beginning to end, it might be tough making it through “Gauche et Droite’s” 104 minutes in a single sitting. Unless, of course, you’re planning a long drive somewhere or are really, really bored one afternoon. Fortunately, no matter what size musical bites you take, I’m pretty sure you’ll find the Necronauts quite tasty.
Disc 1 is (slightly) superior to Disc 2 with standout tracks such as “Land Survey (Put Another Bullet In the Chamber),” “Depredation Medication,” “Firekid/Lovefriend,” “Gravity Is Not Your Friend” and “On Fire.” While not quite as consistent (and bogged down with “original versions” of a half dozen songs from the first platter), Disc 2 scores with the bluntly titled “S***,” “For the First and Last Time,” “White Mouth” and “Too Fast for Johnny.” Good stuff. (JS)

Gauche et Droite review @ BrooklynRocks NYC Music Blog courtesy of Mike! 2011

I’ve never heard of The Necronauts prior to receiving a review copy of the band’s sixth disc, Gauche et Droite. While The Necronauts fall into the “indie rock” genre, this label is somewhat misleading as this sprawling forty track / two-disc release has much more in common with bands like Pavement and Sebadoh than with any of today’s indie-rock bands. This release is a welcome throwback to the days of lo-fi DIY rock where, if a band got lucky, they might be able to break-out of the “get in the van” underground with an appearance on MTV’s 120 Minutes.

The Necronauts were formed in the year 2000 by half-brothers Billy and Dale Goodman of Mesa, Arizona. In their first four years, The Necronauts independently released five albums, including a critically acclaimed self-titled EP in 2004. Recording for Gauche et Driotte began in 2005 and singer/guitarist Billy Goodman said “I intended it to be a double album. I talked a lot of shit and opened my mouth about making this epic album, I had to keep my word. I’ll never make that mistake again.”

The 2CDs show the evolution of the band's songwriting process as Disc One (“Gauche”) contains nineteen tracks of lo-fi slacker rock and Disc Two (“Droite) contains nine early versions of tracks from “Gauche” that are significantly different from the finalized versions along with ten new songs. The song titles are completely unrelated to the lyrical themes, as reoccurring themes seem to be about dysfunctional people, relationships and the silliness of following the implicit rules of a given “scene”. On top of the band’s general skepticism, they seem to have a particularly negative outlook toward organized religion. This somewhat cynical outlook isn’t immediately obvious as it is delivered amidst catchy, sing-along melodies and memorable musical hooks.

The song “Skateboarding Hurts” (video below) is about dysfunctional relationships.

For anyone who “shot up” on The Minutemen and Meat Puppets in the 80’s and Pavement and Sebadoh in the 90’s, this is essential listening.

Gauche et Droite contains a 30-page booklet with lyrics, artwork by Dave 'Luster Kaboom' Quan.

"Slack attack" courtesy of Jarret Keene @ Vegas Seven 2011

Plenty of ’90s, slacker-era rock bands are reuniting these days—from Pavement to the Pixies. But wouldn’t it be nice to catch a (relatively) new, young band evoking the downcast energy of that decade while flying the flannel for fiercely nonfinancial reasons? Lucky for us, then, that Mesa, Ariz.’s The Necronauts are playing Yayo Taco on Feb. 25, and they seem to be blissfully unconcerned about cashing in on Gen X nostalgia.

Used to be alt-rock bands didn’t worry so much about having a trademark sound. They’d jump around stylistically for the sake of whatever muse they pursued, often relying on more than one songwriter. Bands such as Firehose and Fugazi and Jane’s Addiction and Hüsker Dü relied on more than a single, primary songwriter, pushing the limits of any formula they risked falling into, refusing to be pigeonholed, and preferring to break up than settle for monotony. The Necronauts pay homage to that time, making it sound like there are 20 writers in the band, even though brothers Billy (vox, guitars) and Dale Goodman (drums) are responsible for the music.

From the funky guitar licks and killer scat singing of “Ashes of Idaho” to the highway-driving pop-psychedelia of “Stevie’s Deal,” the Goodmans’ recently self-released double album, Gauche et Droite, is a monstrously good DIY masterpiece. Safe to say the band is quickly becoming an alt-music connoisseur’s band.

“That’s what people say,” says Dale during a recent phone chat in a Tempe, Ariz., bar waiting for his girlfriend’s band to take the stage. “Everyone pins the ’90s thing on us pretty strong, but at least people generally seem to like us.”

Well, most everyone. A few critics chastised the band’s first album for being too promiscuous with too many genres.

“Whatever we play is always in our style,” Dale says. “So what if we sound like two or three different bands? That shouldn’t be a problem.”

It’s certainly not. Now, where in my closet did I stash my flannel shirt collection?'s review of The Necronauts Gauche et Droite 2011

Not unlike Arizona's beloved Meat Puppets, the Necronauts are tough to categorize. This 2-CD set finds the duo channeling the Pixies and other bands of that ilk on the generous helping of 21 cuts on the Gauche disc (gauche et droite is French for left and right) while the Droite sides are a little wonkier, reminding of everything from British synth bands to the Velvet Underground to surf-y garage rock. Probably the important thing here is not to worry about comparisons; Gauche et Droite goes through as many enjoyable twists and turns as a MGMT album and you won't regret the couple of hours spent finding that out for yourself.

"The Necronauts are all kinds of awesome" courtesy of dez @ 2011

It’s hard not to like, or at least respect, The Necronauts. The Tempe band plays excellent music and gives you a lot of it. The trio has been around for quite a few years, and released their fifth album Gauche et Droite late last year. It’s a wonder why the world doesn’t know about these guys.

The band consists of three members, Billy Goodman on guitar, keys and vocals, brother Dale Goodman on drums, and Jason Sukut on bass. Even with just a lineup of three, the band’s high energy indie rock is very full sounding. They employ a mix of slower songs and faster songs and somehow employ an incredibly diverse sound. Billy Goodman’s voice seems to change on every song, as if he was switching vocals cords like you could switch guitars.

We Don’t Want to Know Where They’re ‘Boldly Going’ courtesy of Flagstaff LIVE! 2011

Since the release of their ambitious double album, Gauche et Droite, Tempe-based band the Necronauts—comprised of half brothers Billy and Dale Goodman, plus an oft-changing cast of musicians—have been heaping on the praise as they tour the country, garnering comparisons to everyone from Built to Spill and Sonic Youth to Nirvana and the Pixies. Catch their furious pop and hook-heavy rock ‘n’ roll as they return to Flag for a show at the Monte V.

Gauche et Droite gets an 'A' on courtesy of Jennifer Isbell 2011

Hey kids, do you remember when alternative when it really was alternative? You know, NO ONE HAD EVER HEARD OF IT, and it didn't win Grammys or get played on your parents' stations? Well then, "Gauche et Droite," the long-awaited fifth album from brothers Billy and Dale Goodman and Chris Warmuth (i.e., The Necronauts) is right up your alley.

You get two discs of 40 pure and raw and entirely enjoyable songs:

21 songs on disc 1 (gauche)
19 songs on disc 2 (droite)
That's a lot of music, peeps. Granted most of them clock in around the 2 1/2 minute mark, but WTH? This stuff is good. Is it perfect post-production quality? Hell no, and thank goodness for that! These are not your typical three-chord songs that spew angst, rather they are filled with meanings that may deny the title (e.g., "Skateboarding Hurts" ain't about skateboards) and hello, odd meter rythms! Ok, there may be some angst, but it's so perfectly packaged, it's actually real. And you can relate to it. All of it.

The Necronauts cite Sonic Youth, Sebadoh, Pavement, Pixies, Nirvana, Fugazi, and Built to Spill as some of their influences, but honestly I hear more than that, but I just can't put my finger on what it is. All I know is that I like it and will be listening to this record a lot.

Dale's cameo in Dave LusterKaboom Quan's Magical Moments 2011

Java Magazine's Gauche et Droite Review by Mitchell L. Hillman 2010

Yab Yum Music "Gauche et Droite" Review 2010

I read a lot. Over the years, this habit has earned me nicknames such as “nerd,” “poindexter,” and “Dude, you need to get laid.” And while there is a sliver of truth to these accusations, I hope to use my bookish habits as an illustration tool in this, my review of The Necronauts’ Gauche et Droite.
A month or so ago, I attempted reading Homer’s Iliad. This epic struggle between Achilles and Agamemnon, with the meddling of the gods, was fucking awesome… while I was reading it. The problem was, every time I put it down and went to start again, I’d think about the 600-odd pages of epic poetry before me. I ended up feeling overwhelmed and never finished.

Gauche et Droit’s one weakness, the one thing keeping it from being my favorite local album, maybe ever, is its sheer enormity. Two CDs, 40 tracks. Not one a dud, but I just can’t take it all at once.

Where to start? You know those amazing rock bands you grew up with? Or wish you had? You know. The Pixies. Built to Spill. The Replacements. The Necronauts have swallowed them. Whole. And, like the girl in Nightmare on Elm Street IV that gains the abilities of her dead friends, The Necronauts became a hybrid of the aforementioned bands, a bunch more from college rock’s heyday, and their own Tempe-bred frustrations.

Translation: seriously great rock.

Some highlights: “Land Survey (Put Another Bullet in the Chamber)” is Dinosaur Jr. on a particularly good day. “Old Highway 666” is the kind of menacing rock ‘n roll your pastor warned you about.

Droite, the second CD, is a collection of B-sides, demos, and original versions. If anything, it shows that the band takes their music seriously long before putting the finishing touches on. If this were their entire album, they would deserve kudos nonetheless.

There is a flip-side to the album being so long. It’s a lot of great music. Perfect for parties where the keg is PBR. Perfect for a burst of energy before work. So what if it isn’t a headphone album?

And I can’t help but think the album’s length is a big “fuck you.” To who, I’m not sure. Conventional album lengths? Those Tempe musicians stuck in ’94, still trying to make the next Gin Blossoms single? Or maybe to the parts of themselves that thought they couldn’t do it. Well, they did it. And they made one of the best albums to come out of the Valley in a long, long time.

Mike Watt fucking remembers us! 2012
(from 2nd heapin' helpin' of 3rd opera tour

raul takes south on I-17, I konk on the back seat and pop when we pull up to the venue we're working tonight here in phoenix, "the crescent ballroom" to give directions where to load in cuz I was here for a fIREHOSE gig opening for m. ward just here last april. the weather is warm but not broisting, very mild. we soundcheck w/knobman daniel who is very cool people and then I chow a barbacoa burro (sic) from the kitchen here, I dig it. the necronaunts (tee hee) are opening - I think I played w/them in tucson before, maybe w/my secondmen like eight years ago... my memory, aaarrrgggghhh - but maybe I'm write. I'm really tuckered and go to the boat to konk.

Dale Goodman immortalized by Satan's #1 Monk, Jeff Owens!

Flagstaff Music Review July 2008

July 5 2008 Emperors of japan, Necronauts, and Former Friends of american kids @ the Monte Vista live concert review

As we walked into the Monte Vista hotel and lounge we noticed that the first band had already taken the stage; Former friends of American kids. Nothing caught my eye really other than the bass player was wearing a graduation robe and cap for no particular reason, there was no definite gimmick with this band, and the lack of energy on stage and involvement with the audience, they just didn’t seem too into it. The entire band consisted of a drummer, the guitarist (that was also lead vocals) and the bass player. I’m not sure what was with the back-up singer, she just stood there and hummed a couple of lines per song. Since we’re on the topic of songs, I’ll get into their music. It had a very “chill” vibe which was appropriate for the small setting and the lighting they had on stage with shades of blues and greens also fit their sound. After listening to a couple of their songs it felt tired and boring. Many of the guitar riffs sounded alike and were very simple and most of their songs sounded like something you would here in the background of a movie, or the tracks you would hear at the end of an album…for the ENTIRE set. Most of their songs also sounded the same from what we could hear, there was a lot of feedback from their instruments and the entire thing sounded “underwater”. They could be considered ‘ambient rock’ and if that’s what they were going for, they met expectations but did not exceed them which in turn left us with the feeling of being let down. The one thing that really got me in the end was the last song, there were multiple build-ups with no resolution what-so-ever. Most would see this as a unique move (if done right) but it wasn’t this time and may have caused an uncomfortable dissonance for the listener. On top of that the last song dragged out way too long as if they were trying to lull the audience to sleep before the next band. Over all this band is nothing too special and I think they can do more.
Former Friends of American Kids gets a 4/10

(The Necronauts)
Ah, the second band, there’s nothing negative I can think to say about this band. They were amazing. Set up and sound check went by pretty quickly. While they were still setting up the drummer was nice enough to grace us with a drum solo to keep us entertained. Before they even started their set they said a few words and even threw around the names of a couple of other bands, showing them support as well. Pretty awesome. They got right into their music without hesitation and the audience exploded with the energy they put off. Their sound was like funky punk with their own heavier slant. I could even go to say that they could be compared to a combination of the Chili Peppers and sublime with a dash of punk. They themselves called it ‘Indie Space Rock’, which pretty much sums it up. They definitely have their own style that is nothing less of rockin’. Everything from the guitar to the vocals, the drums and bass, was awesome and next to perfect. The songs were short, sweet and to the point. And they seemed to have as much fun performing as the audience did watching them. As my buddy put it, “this band has their shit together!” and I couldn’t agree more. The show was free that night, but we agreed that we would definitely pay to see them again, given the chance. The last sond they played was an instrumental piece that was darker and heavier than the rest of the set, a perfect finale full of rockin’ guitar solos, smashin’ drums, and sick bass. Unfortunately the set has to end sometime. The only thing I have to say is that I would like to see them use more of those super-awesome last song skills in future work and they just rock. They come at ya’ with more energy than you know what to do with and with a variety of sounds that will leave you wanting more.

The Necronauts get a: 8/10

(Emperors of Japan)
So here came the ‘stars of the show’. Set up took way too long, as if they expected the audience didn’t mind waiting for them. The first song started out with a repetition of the same 4 notes twanged out on a clean guitar over and over. At first I thought that it was for sound check or maybe just a little jam before the set started…but it wasn’t, it was the song and it was horrible. Soon after the bass and drums kicked in and again I have to say it was nothing special. The guitarist was even wearing one of those pooh bear kids costumes as a hat as if it was cute or unique which it wasn’t. And again like the first band, this band was full of slow redundant riffs that most people could probably play in their sleep and the lyrics were incomprehensible and the melodies dissonant. In fact, this could be compared to the first band only louder with more feedback which was surprising considering how long they took to set up. We were very disappointed and did not stay for the entire set, but did however drop of some business cards of a local costume designer at their merch table, maybe they’ll use them and at least be something to look at instead of another generic mediocre band.

Emperors of Japan get a: 3/10

After the show, and after writing this review, it’s clear that even though Emperors of Japan were the headliners for this show, the Necronauts were definitely the stars. I recommend checking them out so you, too, can experience their awesomeness.

Arizona Republic 2005

Esquire Magazine April 2004

Get Out (Tempe, AZ) sometime 2003
Indie rock trio the Necronauts have chosen a fine title (translated from Spanish it means “fresh air”) for their second disc. ... The new album hones in on an appealingly straightforward pop rock sound that helps singer Billy G.'s skewed lyrical tales go down easily. The majority of “Aire Fresco” was recorded live at downtown Phoenix's cozy Modified Arts, and though the sound quality is primitive at best, the charm of songs such as “Familiar Burns” and the menacing “Bound to the Ground” come through unscathed. ....the Necronauts have unearthed a gem...

Zia Zine Sept. 2002
no more mixtapes

Impact Press sometime 2002
The Necronauts • Melodic Array of Change
High School Football Records
From jangly indie pop to driving punk rock to a wee bit of funk, The Necronauts hop from genre to genre effortlessly. The Arizona trio's tunes recall a number of alternative staples, particularly the Pixies (hey, what indie rocker hasn't been influenced a little by the Pixies over the past 10 years?). This is some good stuff from the Grand Canyon State. (CL)